I started off with a stitch pattern. I thumbed through one of my knitting stitch dictionaries, and was really drawn to the Wild Oats design.
With this stitch in mind, I drove down to my LYS, and as always, I'm drawn to variegated yarns. Then I realized variegated would look quite nice in the Wild Oats, so I picked an earthy blue/gray/brown color. Malabrigo Rios in colorway Playa. Rios is 100% superwash wool - read: throw it in the washing machine. Love that. From the back of the yarn label: "Rio means 'river' in Spanish. Malabrigo Rios is named after the four major rivers in Uruguay; Rio Cuareim, Rio Uruguay, Rio de la Plata, and Rio Negro. Each river is represented by one ply. These plies twist together like winding rivers. Rios also signifies the yarn's washability; for millennia, rivers have provided water for washing garments." --Isn't that fabulous? Nature inspires me so, and I'm not the only one.
Getting back to the scarf, I knitted for a while in this pattern, loving it, but then decided I wanted to use more stitch patterns in this scarf. And here comes the complications. I'm somewhat new to this whole designing bit, and I guess I'm from the school of Hard Knocks, because I have to try something and look/feel it before I decide if I like it or not. The above pattern uses cables, which nearly always draws the material inward, necessitating more stitches per inch. When I decided to transition into the basket weave pattern (below), I had to find the right number of stitches to use in order to maintain a consistent width within the scarf.
I am a big fan of life-lines in knitting. Yes, they take time to place, and it's mildly annoying to do so, but if you find yourself needing to go back and undo a section, a life line will save so much time and aggravation. Here I am placing a life-line while trying to decide how many stitches to decrease between sections.
Getting back to the scarf, I knitted for a while in this pattern, loving it, but then decided I wanted to use more stitch patterns in this scarf. And here comes the complications. I'm somewhat new to this whole designing bit, and I guess I'm from the school of Hard Knocks, because I have to try something and look/feel it before I decide if I like it or not. The above pattern uses cables, which nearly always draws the material inward, necessitating more stitches per inch. When I decided to transition into the basket weave pattern (below), I had to find the right number of stitches to use in order to maintain a consistent width within the scarf.
I am a big fan of life-lines in knitting. Yes, they take time to place, and it's mildly annoying to do so, but if you find yourself needing to go back and undo a section, a life line will save so much time and aggravation. Here I am placing a life-line while trying to decide how many stitches to decrease between sections.
As I pictured this scarf in my mind before starting it, I knew I wanted it knit in the round. However, with worsted yarn, a scarf would be a thick tube without anchoring one side to the other in some way. I decided on anchoring the sides together halfway through each design element - by grabbing a loop from the back side and knitting it together with the front side work. This worked great. It flattened the tube out, improving how it would lay around your neck, all while giving you a completely reversible scarf. It was a challenge, however, to describe in words how to perform the anchoring. Hopefully I eloquently and clearly described it in the pattern!
So after I figured out the right amounts of stitches to have in each pattern, it was simply a matter of finishing it out. To finish out the ends, I wanted to add a fringe. I think it added a nice detail - visual interest. And it was so easy to do.
A special thanks to my FABULOUS sister-in-law Mandi for test knitting it for me. She picked the lovely colorway Solis for her scarf, and opted for no fringe.
Technical help: Executing the fringe
Once you've finished the scarf and woven in the ends, turn your attention to the garter borders at each end of the scarf. Decide how many fringe tassels to add on (I chose 6 per side), and also decide how long to make your fringe. I went with 12" pieces of yarn, which after folding in half, tying and trimming, it ended up 3.5-4".
To make cutting the lengths easier, I used a template - fancy, the lid to my notions box (aka recycled lunchmeat box).
After visually dividing up the stitches at the cast-on edge, I inserted a crochet hook into the pre-determined area, going through both sides of the scarf.
Next, I folded those 6 lengths of yarn in half, and using my crochet hook, pulled the yarn by the loops through both sides of the work, stopping before they pull all the way through.
Then, I inserted my fingers through the loops, grabbed the tail, and pulled them through the loop, making a slip-knot. Pull tight.
Repeat across the cast-on edge. You will notice that you are effectively closing the tube up, further securing its flattened shape. Once you have your evenly-spaced fringe tassels placed, repeat on the other side of the scarf: the bind-off edge.
Then lay out your scarf on a flat, hard surface, and comb through the fringe to straighten it.
Using a straight edge, rotary cutter, and mat, trim the ends to make a nice, even edge.
You've done it! Feel free to message me with questions on any of the techniques!
A special thanks to my FABULOUS sister-in-law Mandi for test knitting it for me. She picked the lovely colorway Solis for her scarf, and opted for no fringe.
The pattern is now available to download in PDF format:
Click here for Ravelry
I so hope you enjoy the pattern! Make sure you share your finished project photos with me!